《永恒的回声-音乐》参考书目

Stephen R. Turley, PhD, Echoes of Eternity: A Classical Guide to Music

《永恒的回声——音乐》书后所附参考书目

Paul Barnes, “Franz Liszt and the Sacramental Bridge: Music as Theology of Presence,” http://capress.link/eoe0101.

Carol Harrison, The Art of Listening in the Early Church （Oxford: Oxford University Press, 2013）.

David Hoews, ed., The Varieties of Sensory Experience: A Source- book in the Anthropology of the Senses （Toronto: University of Toronto Press, 1991）.

Don Ihde, Listening and Voice: Phenomenologies of Sound （Albany: State University of New York Press, 2007）.

Mark Johnson, The Meaning of the Body: Aesthetics of Human Understanding （Chicago: University of Chicago Press, 2012）.

Jean-Luc Nancy, Listening, trans. Charlotte Mandell （New York: Fordham University Press, 2007）.

Jonathan Rée, I See a Voice: A Philosophical History of Language, Deafness and the Senses （New York: HarperCollins, 1999）.

Michael B. Bakan, World Music: Traditions and Transformations （New York: McGraw-Hill, 2007）.

Guy L. Beck, ed., Sacred Sound: Experiencing Music in World Religions （Waterloo, Ontario: Wilfrid Laurier University Press, 2006）.

Jeremy S. Begbie, Theology, Music and Time （Cambridge: Cam- bridge University Press, 2000）.

Jason Martineau, The Elements of Music: Melody, Rhythm, and Harmony （New York: Bloomsbury, 2008）.

Roger Scruton, The Aesthetics of Music （Oxford: Clarendon Press, 1997）.

Kay Kaufman Shelemay, Soundscapes: Exploring Music in a Changing World （New York: Norton, 2015）.

Christopher Small, Musicking: The Meanings of Performing and Listening （Middletown, CT: Wesleyan University Press, 1998）.

⭕️ Augustine, “De Musica,” The Fathers of the Church, Vol. 4, trans. Robert Taliaferro （Washington, DC: Catholic University of America Press, 1947）.

Basil Cole, Music and Morals: A Theological Appraisal of the Moral and Psychological Effects of Music （Staten Island, NY: Alba House, 1993）.

Boethius, The Consolation of Philosophy, trans. Richard H. Green （Mineola, NY: Dover Publications, 2002）.

Boethius, The Fundamentals of Music, trans. Calvin M. Bower （New Haven, CT: Yale University Press, 1989）.

Joscelyn Godwin, Harmonies of Heaven and Earth: The Spiritual Dimensions of Music from Antiquity to the Avant-Garde （Rochester, VT: Inner Traditions International, 1987）.

Joscelyn Godwin, ed., The Harmony of the Spheres: A Sourcebook of the Pythagorean Tradition in Music （Rochester, VT: Inner Tradi- tions International, 1993）.

Robert Reilly, “The Music of the Spheres,” http://capress.link/eoe0404

Férdia J. Stone-Davis, Musical Beauty: Negotiating the Boundary between Subject and Object （Eugene, OR: Cascade Books, 2011）.

Miikka E. Anttila, Luther’s Theology of Music: Spiritual Beauty and Pleasure （Berlin: Walter de Gruyter, 2013）.

Gerald Hobbs, “Christianity and Music,” in Sacred Sound: Experiencing Music in World Religions, ed. Guy L. Beck （Waterloo, Ontario: Wilfrid Laurier University Press, 2006）, 61-88

Bruce Baugh, “Prolegomena to Any Aesthetics of Rock Music,” The Journal of Aesthetics and Art Criticism 51, no. 1 （Winter 1993）: 23-29.

Nik Cohn, Awopbopaloobop Alopbamboom: The Golden Age of Rock （New York: Grove Press, 1969）.

⭕️ John Frame, Contemporary Worship Music: A Biblical Defense （Phillipsburg, NJ: P&R Publishing, 1997）.

Jay R. Howard and John M. Streck, Apostles of Rock: The Splin-

tered World of Contemporary Christian Music （Lexington: University Press of Kentucky, 1999）.

Steve Turner, Hungry for Heaven: Rock ‘n’ Roll & the Search for Redemption （Downers Grove, IL: InterVarsity Press, 1995）.

David F. Wells, Losing Our Virtue: Why the Church Must Recover Its Moral Vision （Grand Rapids: Eerdmans Publishing, 1999）.

Helen Epstein, Music Talks: Conversations with Musicians （New York: Penguin Books, 1987）.

Gary Gutting, “Mozart vs. the Beatles,” http://capress.link/ coe0803.

David Bentley Hart, “The Music of Eternity,” http://capress.link/ eoe0804.

Paul Munson and Joshua Farris Drake, Art and Music: A Student’s Guide （Wheaton, IL: Crossway, 2014）.

Igor Stravinsky, The Poetics of Music: In the Form of Six Lessons （Cambridge, MA: Harvard University Press, 1970）.

James E. Adams, War Psalms of the Prince of Peace: Lessons from the Imprecatory Psalms （Phillipsburg, NJ: Presbyterian and Reformed Publishing, 1991）.

Brian Daley, “Is Patristic Exegesis Still Usable? Reflections on Early Christian Interpretation of the Psalms,” Communio 29 （Spring 2002）: 185-216.

Lisa M. Hess, Learning in a Musical Key: Insight for Theology in Performative Mode （Eugene, OR: Pickwick Publications, 2011）.

James B. Jordan, “How to Chant the Psalms,” http://capress. link/eoe0902.

T.M. Moore, The Psalms for Prayer （Grand Rapids: Baker Books, 2002）.

The Psalter: According to the Seventy, translated from the Septua- gint by the Holy Transfiguration Monastery （Brookline, MA: Holy Transfiguration Monastery, 2008）.

Willem A. VanGemeren, Psalms, vol. 5, The Expositor’s Bible Commentary, Revised Edition, ed. Tremper Longman III and David E. Garland （Grand Rapids: Zondervan, 2008）.

N.T. Wright, The Case for the Psalms: Why They Are Essential （New York: HarperOne）, 2013

⭕️ The Book of Psalms for Singing （Pittsburgh: Crown & Covenant, 1998）.

“Byzantine Chant,” http://capress.link/eoeappa01. Cantus Christi （Moscow, ID: Canon Press, 2004）.

“How to Read and Sing Gregorian Chant,” http://capress.link/ eoeappa02.

Jarrod Richey, Bach to the Future: Fostering Music Literacy Today （Monroe, LA: Retune Publications, 2016）.

The Vanguard System, http://singinparts.com/

【音乐选听】

J.S. Bach – Mass in B minor – 1. Kyrie eleison https://www.youtube.com/watch?v=O158gelF3hY

Sanctus from William Byrd’s Mass for Four Voices

Byzantine music http://capress.link/eoe0503

SUGGESTED LISTENING FOR

【ARVO PÄRT】